Maris Snyder is who I would describe as a new adult author with a quick-writing style. I’ve always been a fan of her because of how quick her books move, always fast-paced action, her writing always direct and to the point. And this book is no different.
Shadow Study is meant to continue Yelena’s and Valek’s plot line—the Poison Study series, and while I wonder if it’s one of the last, it definitely leaves the series open enough to continue. (I won’t spoil the ending.)
But in the manner of reflection, there’s a few high points I want to focus on.
1. Using nicknames to denote character familiarity
Onoro had disappeared into the forest. probably climbing a tree. And then he wondered when he’d stopped thinking of her as Little Miss Assassin. (238)
I love how her characters can be humorous and annoying. She does annoying so well, which makes me wonder about her personality, ha. But what I particularly like about this section, is how she shows Janco calling Onoro nicknames, slowly fading it out until you realize, when did he stop? It forces you to go back and look.
2. Using cliffhangers to keep you reading
I hesitated. A dagger slammed into the ground near me.
“Let go or my next knife will not miss.”
<end of chapter> (249)
This is how almost every one of her chapters end—with a huge cliffhanger. It definitely pushes you to keep reading, always advancing the tension with what happens next? It definitely gets old after a while, especially if you make it to obvious. I know there was cringe-worthy cliffhanger, ending with, ‘when he took off his mask, she gasped. She never could’ve guessed it was end.’ Or, something along those lines. Either way, withholding his name, kinda mean for the reader.
3. Using flashbacks to elaborate the relationships between characters
“…Get me the name of the patron and I won’t go after the assassin.”
“And why would I do that?”
Time for the ace. “because you owe me a favor and I’m collecting.” (256)
What I really liked this is that throughout the book, I was questioning why Valek kept having flashbacks. It was a smooth blending in and out, to the point where I had to go back and reread the transition, but I kept wondering is, why now? It’s interesting and all, but what’s the point? Until…I got to scenes like these, where she would reference the past. And here is where I was grateful for the flashbacks. I felt like such a insider after I witnessed them.
4. Using multiple perspectives to show where readers hoard knowledge
Kiki slowed as a wagon appeared, traveling toward them. Odd. (374)
In the previous chapter, we saw Yelena strapped to the wagon, after she had been kidnapped, so seeing her boyfriend riding her horse, her horse figuring out Yelena was there, it was quite mind-blowing as a reader. It makes you want to stand in your seat, waving your arms, pointing the wagon and saying, Go save her you nincompoop! Too bad he never figured it out…Either way! It was a fun scene. Made you feel like you had insider’s knowledge.
Synder, M. V. Shadow Study. Don Mills, Canada: MIRA Books, 2015. Print.