You want the good news or bad news first?
I don’t like parts of this story, particularly…
As he watched the eyeless face with the jaw moving rapidly up and down, Winston had a curious feeling that this was not a real human being but some kind of dummy. It was not a man’s brain that was speaking; it was his larynx. The stuff that was coming out of him consisted of words, but it was not speech in the true sense: it was a noise uttered in unconsciousness, like the quacking of a duck. (Orwell 56)
This is not the part I don’t like. It’s what follows immediately after this:
“There is a word in Newspeak,” said Syme. “I don’t know whether you know it: duckspeak, to quack like a duck.” (Orwell 56)
I think it’s not the topic of discussion that bothers me so much, it’s the fact it repeats itself. It also hits me as a bit strange for the character to think that, and then the other to voice his exact thoughts – too much of a coincidence or stretch for it to go un-notice.
I don’t think it would’ve taken much to fix this, only a simple call out with the character recognizing that this was a strange coincidence as well – a neat fix-it-all technique for when something out of the ordinary or strange happens in your book.
Page 52 to 54.
All about Newspeak – the revolutionary language of the totalitarian society in this novel – this part of the characters’ discussion talks about how language is being destroyed and minimized to the bear roots, meaning “every year fewer and fewer words, and the range of consciousness always a little smaller” (Orwell 54).
I loved how Orwell didn’t only invent a language, he invented a language with the sole purpose to limit the range of thought, to limit their expression, therefore destroying the people’s creativity and individuality, adding to the novel’s successful portrayal of his totalitarian society.
It just shows the amount of effort and thought he’s put into creating this world, showing he’s not only successful with realistic social behaviors but world building as well.
This book would be a good example of how to build your world: create a routine for your characters, a language, a setting and time period, a history, a future…etc.
Orwell, George. Nineteen Eighty-Four. Centennial ed. New York, NY: Penguin Group, 2003. Print.